The current climate for art education is often disheartening, with art departments under increasing pressure, teachers everywhere fighting for their subject to be valued and for people to understand the importance of art education in a fraught battle ground dominated by the STEM subjects (Science Technology Engineering and Maths). Those who advocate STEAM – add the A for Arts - acknowledge the importance of creativity in any process.

I have been involved in a project with The Courtauld Gallery (where I work as a freelance tutor) looking at the links between Art and Maths, stemming from the idea that any subject can be taught effectively through Art and in this case also touching on History, Geography, Science and Technology. We began by examining the Islamic Metalwork and Italian Maiolica pottery in the Courtauld’s varied and beautiful collection, best known for its French Impressionist work.

The project for primary schools examines these crafts, highlighting the importance of design, creativity, trade and inspiration in the production of goods and artefacts alongside the cross cultural engagement that took place at the time of their production.

We worked with primary schools across London to develop a rich teaching resource for schools and are doing extensive outreach projects in a number of schools across London.

I shared my research with Veena, our artist teacher at Pelham Art Club, who took up the challenge with amazing results.

The children learnt to divide a circle into octants and create an octagon. They were inspired by the Italian Maiolica to make a design involving rotational symmetry.

The Courtauld Gallery project begins with a visit to the gallery, however the restrictions of our art club did not allow us to make this special visit.

We looked at images from the Courtauld collection online and Veena brought in her own artefacts for inspiration.

You can find examples of artefacts in museums all over the country. I found these in the Fizwilliam Museum, Cambridge.

Veena began by exploring grids to make patterns, giving the children the freedom to experiment with shapes and see what they found.

In our Pelham Art Club, Veena works with children from Year 2 to Year 5 for two hours each week. You can see the variety of responses.

We then went on to explore pattern and shape using a paper plate and squares of gummed paper cut into various shapes. While overlaying them to see what we could produce, children could clearly see the mathematical relationships between shapes.

Veena took these principles further when developing geometric patterns on plywood boards using beans and lentils – imagine the mess!

The Courtauld Gallery project asks the children to use compasses, protractors and mathematical principles to construct complex shapes like six or eight pointed stars and patterns inspired by nature, then inject their own ideas and creativity into these more formal processes.

They draw from nature to design printing tiles. (At Pelham Art Club we worked on printing skills at the start of the year - see the blog Autumnal printed patterns.)

The next part of the process is to learn to draw an eight pointed star and a cross to make into a template to cut a clay tile. You can make this template by folding a large square and drawing circles within smaller squares. It has to be precisely drawn and constructed mathematically.